The latest edition of the podcast which asks: what is the least Mod Dungeons & Dragons character?
This episode, Pop-Crazed Youngsters, has been cursed by the tang of man-flu and dodgy microphones, meaning it’s not at the usual hi-fidelity standard you’ve come to expect from Chart Music. But what an incident-packed go-around on the morbid carousel of Pop it is! There’s wave after wave of guest appearances from people who really shouldn’t have bothered, such as Cliff, his specky henchman Hank Marvin, and none other than co-host KEGGY KEEGLE HIMSELF facing down DLT in a perm-off.
Thanks to Simon getting an unexpected birthday present, we have possession of a full shooting script of an episode from The Popses’ post-strike regeneration, and we try to break the codes therein. Musicwise, the Mod revival rides itself right off the cliff, Kelly Marie and Sheena Easton put on their best Bingo Jumpsuits, Cliff does his Danger Dancing routine next to a keyboard player in Alan Partridge shorts, Randy Crawford’s heartbreakingly brilliant performance is ruined by a vision mixer who makes her look like the alien off Alien, and Nicholas Lyndhurst, Martin Shaw and Dennis Waterman rule over the charts.
Al Needham is joined by Simon Price and David Stubbs for a good hard leer at the autumn of 1980, veering off – as always – on tangents such as trying to be a 12 year-old Ace Face when everyone’s seen your Dad drag you out of a boating lake at Skegness Butlins, why adding the Poo-Poo drum machine over Joy Division records in clubs will never get old, having a good laugh at younger brothers who get beaten up in town for wearing the wrong badges, pathological hatred of Plastic Mods, and flares. And swearing, swearing, all the time swearing.
The eleventh episode of the podcast which asks: is anyone willing to swap a Fonz action figure for a ‘Shakin’ Stevens and the Sunsets – Heterosexual Rock n’ Roll’ badge?
This episode, Pop-Crazed Youngsters, has been a bastard to put together, and the sound quality may be a bit manky at times – but oh, what a glistening slab of televisual spangliness awaits us. It’s a full-on Flags & Balloons TOTP, this one, overseen by the circular face of The Hairy Breakfast Brunch Bar (who has wisely been kept away from The Kids and is monitored at all times), and the air is ripe with the soggy Lycra tang of the universally-despised Zoo.
But no matter – this episode is a veritable time capsule of the early 80s. Kool and The Gang drop the world’s most unwatchable video ever, which is danced to by another not-very-good troupe, Shakin’ Stevens places his white-shod foot upon the throat of the charts of the Eighties, DLT commands the BBC cameramen to stalk Claire Grogan at all times, The Stranglers look on in disgust at Zoo, and there’s the longest discussion of Brown Sauce ever conducted by three grown men. And Dollar. And Bucks Fizz.
Al Needham is joined by Taylor Parkes and Simon Price for a solid examination of a glorious episode of The Pops, veering off to brag about who they’ve had a drink with, why you shouldn’t use Dettol to treat facial acne, seeing Morph laid out in a glass coffin, the declining standards of World Cup mascots, and getting battered on Top Of The Form because of Noel fucking Coward. And swearing. AND Chris Needham’s new record!
The second edition of the podcast which asks: who would win in a massive cage fight amongst Radio 1 DJs of the 70s and 80s?
This episode, we enter the late winter of George Orwell’s visionary magnum opus – but not even in his worst nightmares would he have imagined the Ministry of Pop Telly trying (and failing) to throw the No.1 single down the memory hole. And a Top 40 with two Thompson Twins entries.
Thankfully, we’re spared both of them, but what we actually get is cow-heavy and laden with the musk of the lower reaches of the charts, heavily influenced by the Channel Fourification of pop music, and overseen by Dave Lee Travis and his YTS lad Gary Davies. The Smiths make their second appearance, Nik Kershaw models the 2048 Little Chef uniform, Madness give up doing the Bummer Conga and go all serious, and we’re shocked to learn that Madonna isn’t black. And Marillion see fit to bring eight synths into the studio when there’s really no need.
Al Needham is joined by David Stubbs and Taylor Parkes for a serious pick amongst the brightly-coloured rags of the mid-Eighties, checking for stains along the way. Sorry for the delay on this: there’s been technical mither we need not go into.
(loads of swearing and explicit descriptions of what eleven year-olds think Paul McCartney does)